At its 2011 premiere in Helsinki, Susanna Leinonen Company’s Blinded Mind sold out to no one’s surprise. Being one of Finland’s most internationally acclaimed choreographers, the Susanna Leinonen Company has toured over 20 countries in numerous festivals and iconic venues. In 2012, it was Penang’s turn to play host to Blinded Mind. Combining the company’s trademark fluidity of balletic movements with Erika Turunen’s dramatic costumes, Blinded Mind explores an individual’s courage in going against the grain and the inevitable consequences that follow, something which SusannaContinue Reading “Finnish Choreographer’s Ode to Non-conformists”

Beijing Opera as seen through the lens of two non-Chinese who fell in love with China’s quintessential theatrical tradition. How do you keep an ancient art alive? That’s the question that the Beijing Opera probably gets all the time. As a testament to their ability to keep bringing new flavours into classic Chinese opera, Beijing Opera’s show at the 2010 George Town Festival are fronted by Iranian-born, British-raised Ghaffar Pourazar and Japanese Morimura Chie. Far from being token foreigners in the Chinese troupe, Ghaffar PourazarContinue Reading “British Man & Japanese Woman Take on Beijing Opera”

Photo credits: Doris Lee Sidi Larbi Cherkaoui has worked with the biggest names in the dance industry but back in 2013, his Shaolin-inspired dance appeared on the humble Dewan Sri Pinang stage. George Town Festival has always been ahead of the curve in terms of bringing artistic talents to Malaysia. You can always trust on the names that are a part of the GTF roster to appear a few years later in the headlines. One such example is Sidi Larbi Cherkaoui. Although not a well-knownContinue Reading “Before Beyoncé, this man worked with Shaolin monks”

Vertical Road made its debut in Penang in 2010, where Penang Turf Club was the official programme sponsor. “When you finally create something, the history of how it was made because vague and in lost. You forgot the origins of the ideas” – Akram Khan With his other award-winning works such as Gnosis, Kaash and Zero Degrees, Akram Khan is one of the most acclaimed choreographers today. The English Dancer directed and choreographed Vertical Road with the aim to discover the origins of ideas.The performanceContinue Reading “A Vertical Road to George Town”

Patrizio Buanne captivated the crowd at E&O Hotel during the George Town Ball with his Italian and English renditions of classic gems. Imagine a ball, set in George Town’s oldest and grandest hotels – the E&O. Imagine it soundtracked by the smooth baritone of Italian heartthrob Patrizio Buanne. In 2010, the stuff of fantasies became a reality thanks to George Town Festival. With his repertoire of adult contemporary hits and pop oldies, the singer and songwriter Patrizio Buanne put on a charismatic live show thatContinue Reading “Multilingual Italian Crooner Charmed Penangnites”

Photo credits – Neoh Chee Jin Director Roysten Abel turned his fascination with Rajasthan’s Manganiyar community into an audio-visual feast for the senses. While on the lookout for folk musicians in a Delhi slum for one of his tours, Roysten Abel came across the Manganiyars, a formerly nomadic tribe living in the Rajasthan desert. Practicing a hybrid faith of Islam and Hinduism, a pair Manganiyars followed him everywhere he went for the next two weeks, “seducing” him with their songs. Abel was so intrigued byContinue Reading “Nomadic Musicians made way for George Town”

The Blue Mansion is the second film from director Glen Goei after the international hit Forever Fever (1998), one of Singapore’s leading film and theater directors. The film was screened during George Town Festival 2010, and for the second time in 2015 during the In-Between Arts Festival (IbAF). George Town Festival, one of the major ASEAN arts festivals in Malaysia, is organised by Joe Sidek Productions Sdn Bhd. Goei’s ambition to make quality commercial fare is still evident throughout – Variety 100 minutes of being entertained by fabulousContinue Reading “Singaporean Director Returned with Second Film”